000 | 08866 gm a2200709Ia 4500 | ||
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999 |
_c1753 _d1753 |
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001 | 8504439 | ||
003 | OCoLC | ||
005 | 20230102010758.0 | ||
007 | vd cvaizu | ||
008 | 100824t2010 vau720 g vleng d | ||
020 | _a1598036599 (dvd) | ||
040 |
_beng _cJCRC |
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050 |
_aN72.5 _b.W67 2010 |
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100 |
_aKloss, William _d1937- |
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110 | _aSmithsonian Institution | ||
245 | 0 | 4 |
_aThe World's Greatest Paintings / _cWilliam Kloss ; Jaimée M. Aigret (Producer) ; The Teaching Company. |
250 | _a1st ed. | ||
260 |
_aChantilly, VA : _bThe Teaching Company, _c2010. |
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300 |
_a4 DVDs (720 min.) : _bsd. col. ; _c4 3/4 in. + _e1 Course Guidebook (vi, 97 p. : ill. ; 19 cm) |
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440 | _aThe Great Courses | ||
440 | _aFine Arts and Music | ||
440 | _aVisual Arts | ||
500 | _aIncludes 24 x 30 min. lectures. Also includes a Course Guidebook. | ||
504 | _aIncludes bibliographical notes. | ||
505 | _a"From the opening lecture, Professor Kloss demonstrates that his aim is "to make you feel welcome and comfortable in the company of paintings." With this focus, he guides you in a direct and engaging encounter with the images themselves, challenging you to consider how and why these paintings affect us, and inviting you to join him in looking deeply into the painter's multidimensional visual realm. Focusing on 65 masterpieces of Western painting, including key works by Giotto, Titian, Vermeer, Rembrandt, and Picasso, The World's Greatest Paintings offers you a vivid, visceral encounter with genius, shining light on the unique technical, stylistic, and expressive achievements of each painting. As a foundation for the inquiry, you consider ways of defining greatness in painting: Uniqueness: The qualities that set a painting apart from all others in a way that influences or changes the course of art Impact: A painting's effect on viewers, both initial and cumulative Emotional and intellectual resonance: The deepening, comprehensive experience of a painting, justifying its initial impression Throughout the series, you witness the depth of painting's interface with Western social institutions, culture, and thought." (Publisher's Website) | ||
505 | _aCONTENTS: | ||
505 |
_aDisc 1
_tLecture 1. Greatness in Painting _tLecture 2. The Majesty of Duccio and Giotto _tLecture 3. Acts of Faith - Masaccio, Van Eyck, Van der Weyden _tLecture 4. The Diversity of Piero, Mantegna, Botticelli _tLecture 5. The Devotion of Bellini, Geertgen, Durer _tLecture 6. Masterworks by Leonardo, Raphael, Correggio |
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505 |
_aDisc 2
_tLecture 7. Great Ensembles - Michelangelo and Grunewald _tLecture 8. Ideal and Real - Giorgione, Titian, Holbein _tLecture 9. Living and Dying - Bruegel, El Greco, Caravaggio _tLecture 10. Life Stories by Ter Brugghen, Rubens, Steen _tLecture 11. Inside Vermeer, Velazquez, Rembrandt _tLecture 12. Spirit and Thought - Hals, Rembrandt, La Tour |
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505 |
_aDisc 3
_tLecture 13. The Serenity of Poussin, Claude, Watteau _tLecture 14. In Contrast - Chardin, Tiepolo, Gainsborough _tLecture 15. Dark Images of David, Goya, Friedrich _tLecture 16. The Worlds of Constable, Turner, Delacroix _tLecture 17. Dark to Bright - Courbet, Church, Monet _tLecture 18. Alone and Together - Whistler, Degas, Renoir |
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505 |
_aDisc 4
_tLecture 19. Unlike Any Other - Sargent, Manet, Seurat _tLecture 20. Close Observation - Cezanne, Van Gogh, Homer _tLecture 21. The Human Condition - Munch, Matisse, Schiele _tLecture 22. Art in Time of War - Monet and Picasso _tLecture 23. Time and Memory - Magritte, Hopper, Gorky _tLecture 24. Expressive Abstractions - Pollock and Hofmann |
||
520 | 3 | _a"From the opening lecture, Professor Kloss demonstrates that his aim is "to make you feel welcome and comfortable in the company of paintings." With this focus, he guides you in a direct and engaging encounter with the images themselves, challenging you to consider how and why these paintings affect us, and inviting you to join him in looking deeply into the painter's multidimensional visual realm. Focusing on 65 masterpieces of Western painting, including key works by Giotto, Titian, Vermeer, Rembrandt, and Picasso, The World's Greatest Paintings offers you a vivid, visceral encounter with genius, shining light on the unique technical, stylistic, and expressive achievements of each painting. As a foundation for the inquiry, you consider ways of defining greatness in painting: Uniqueness: The qualities that set a painting apart from all others in a way that influences or changes the course of art Impact: A painting's effect on viewers, both initial and cumulative Emotional and intellectual resonance: The deepening, comprehensive experience of a painting, justifying its initial impression Throughout the series, you witness the depth of painting's interface with Western social institutions, culture, and thought." (Publisher's Website) | |
520 | 2 | _aDVD CONTENTS: Disc 1 Lecture 1. Greatness in Painting Lecture 2. The Majesty of Duccio and Giotto Lecture 3. Acts of Faith - Masaccio, Van Eyck, Van der Weyden Lecture 4. The Diversity of Piero, Mantegna, Botticelli Lecture 5. The Devotion of Bellini, Geertgen, Durer Lecture 6. Masterworks by Leonardo, Raphael, Correggio Disc 2 Lecture 7. Great Ensembles - Michelangelo and Grunewald Lecture 8. Ideal and Real - Giorgione, Titian, Holbein Lecture 9. Living and Dying - Bruegel, El Greco, Caravaggio Lecture 10. Life Stories by Ter Brugghen, Rubens, Steen Lecture 11. Inside Vermeer, Velazquez, Rembrandt Lecture 12. Spirit and Thought - Hals, Rembrandt, La Tour Disc 3 Lecture 13. The Serenity of Poussin, Claude, Watteau Lecture 14. In Contrast - Chardin, Tiepolo, Gainsborough Lecture 15. Dark Images of David, Goya, Friedrich Lecture 16. The Worlds of Constable, Turner, Delacroix Lecture 17. Dark to Bright - Courbet, Church, Monet Lecture 18. Alone and Together - Whistler, Degas, Renoir Disc 4 Lecture 19. Unlike Any Other - Sargent, Manet, Seurat Lecture 20. Close Observation - Cezanne, Van Gogh, Homer Lecture 21. The Human Condition - Munch, Matisse, Schiele Lecture 22. Art in Time of War - Monet and Picasso Lecture 23. Time and Memory - Magritte, Hopper, Gorky Lecture 24. Expressive Abstractions - Pollock and Hofmann | |
520 | 2 | _aCOURSE GUIDEBOOK CONTENTS: INTRODUCTION Professor Biography Course Scope LECTURE GUIDES Lecture 1: Greatness in Painting Lecture 2: The Majesty of Duccio and Giotto Lecture 3: Acts of Faith - Masaccio, Van Eyck, Van der Weyden Lecture 4: The Diversity of Piero, Mantegna, Botticelli Lecture 5: The Devotion of Bellini, Geertgen, Durer Lecture 6: Masterworks by Leonardo, Raphael, Correggio Lecture 7: Great Ensembles - Michelangelo and Grunewald Lecture 8: Ideal and Real - Giorgione, Titian, Holbein Lecture 9: Living and Dying - Bruegel, El Greco, Caravaggio Lecture 10: Life Stories by Ter Brugghen, Rubens, Steen Lecture 11: Inside Vermeer, Velazquez, Rembrandt Lecture 12: Spirit and Thought - Hals, Rembrandt, La Tour Lecture 13: The Serenity of Poussin, Claude, Watteau Lecture 14: In Contrast - Chardin, Tiepolo, Gainsborough Lecture 15: Dark Images of David, Goya, Friedrich Lecture 16: The Worlds of Constable, Turner, Delacroix Lecture 17: Dark to Bright - Courbet, Church, Monet Lecture 18: Alone and Together - Whistler, Degas, Renoir Lecture 19: Unlike Any Other - Sargent, Manet, Seurat Lecture 20: Close Observation - Cezanne, Van Gogh, Homer Lecture 21: The Human Condition - Munch, Matisse, Schiele Lecture 22: Art in Time of War - Monet and Picasso Lecture 23: Time and Memory - Magritte, Hopper, Gorky Lecture 24: Expressive Abstractions - Pollock and Hofmann SUPPLEMENTAL MATERIAL Glossary Biographical Notes Bibliography | |
538 | _aDVD, NTSC. | ||
650 | 0 | _aArtistic Masterpiece. | |
650 | 0 | _aPainting. | |
650 | 0 | _aArt Appreciation. | |
650 | 0 |
_aEuropean Art _zEurope. |
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650 | 0 |
_aAmerican Art _zAmerica. |
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650 | 0 |
_aDutch Art _zNetherlands. |
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650 | 0 |
_aFrench Art _zFrance. |
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650 | 0 |
_aGerman Art _zGermany. |
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650 | 0 |
_aItalian Art _zItaly. |
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650 | 0 | _aRenaissance Art. | |
650 | 0 | _aBaroque Art. | |
650 | 0 | _aModern Art. | |
650 | 0 | _aAbstract Expressionism. | |
650 | 0 | _aArt Nouveau. | |
650 | 0 | _aCubism. | |
650 | 0 | _aClassicism. | |
650 | 0 | _aFauvism. | |
650 | 0 | _aImpressionism. | |
650 | 0 | _aRealism. | |
650 | 0 | _aRomanticism. | |
650 | 0 | _aSurrealism. | |
650 | 0 | _aSymbolism. | |
655 | 0 | _aFilmed lectures. | |
700 | 1 | _aAigret, Jaimée M. | |
856 |
_uhttps://www.thegreatcourses.com/courses/world-s-greatest-paintings.html _zPublisher's Website. |
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856 |
_uhttps://ottawa.bibliocommons.com/item/show/585000026 _zCheck the Ottawa Public Library (OPL) catalog. |
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942 |
_2z _cMX |