| 000 -LEADER |
|---|
| fixed length control field |
08726cgm a2200553 a 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
6020032 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
SIRSI |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230107172912.0 |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
|---|
| fixed length control field |
vd cvaizu |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
041220t1997 vau--- g vleng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
1565855841 (dvd) |
| 040 ## - CATALOGING SOURCE |
|---|
| Language of cataloging |
eng |
| Transcribing agency |
JCRC |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
ML1700.1 |
| Item number |
.G74 2003d |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Greenberg, Robert |
| Dates associated with a name |
1954- |
| 110 ## - MAIN ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
San Francisco Conservatory of Music |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
How to Listen to and Understand Opera / |
| Statement of responsibility, etc. |
Robert Greenberg ; The Teaching Company. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
1st ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Chantilly, VA : |
| Name of publisher, distributor, etc. |
The Teaching Company, |
| Date of publication, distribution, etc. |
1997. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
8 DVDs (1440 min.) : |
| Other physical details |
sd. col. ; |
| Dimensions |
4 3/4 in. + |
| Accompanying material |
1 Course Guidebook (iv, 262 p. : ill. ; 19 cm) |
| 440 #0 - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
The Great Courses |
| 440 #0 - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
Fine Arts and Music |
| 440 #0 - SERIES STATEMENT/ADDED ENTRY--TITLE |
|---|
| Title |
Music Appreciation |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Includes 32 x 45 min. lectures.<br/>Also Includes Course Guidebook. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
The Course Guidebook includes a glossary and bibliographical references. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
"With the knowledge of opera from this course, you will understand how music has the power to reveal truths beyond the spoken word; how opera is a unique marriage of words and music in which the whole is far greater than its parts. You will learn the reasons for opera's enduring popularity. And you will be able to explore in great depth the extraordinary and compelling world of opera.<br/>Professor Greenberg is to the lecture what Mozart was to opera. Brilliant, irreverent toward his subject and yet awed by it, he is ingenious in his approach to ensure that his work will have its intended effect on the listener.<br/>The music is transcendently beautiful. In this course, you will listen to some of the most extraordinary artistic works of all time. Customers who have taken this course report:<br/>The history of opera is traced from its beginning in the early 17th century to around 1924. The lectures examine landmark operas; musical, cultural, and social developments that influenced opera's growth; and the influence of national languages and cultures on opera." (Publisher's Website) |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
CONTENTS:<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 1<br/> |
| Title |
Lecture 1. Introduction and Words and Music, I<br/> |
| -- |
Lecture 2. Introduction and Words and Music, II<br/> |
| -- |
Lecture 3. A Brief History of Vocal Expression in Music, I<br/> |
| -- |
Lecture 4. A Brief History of Vocal Expression in Music, II<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 2<br/> |
| Title |
Lecture 5. The Invention of Opera and Monteverdi's Orfeo, I<br/> |
| -- |
Lecture 6. The Invention of Opera and Monteverdi's Orfeo, II<br/> |
| -- |
Lecture 7. The Invention of Opera and Monteverdi's Orfeo, III<br/> |
| -- |
Lecture 8. The Invention of Opera and Monteverdi's Orfeo, IV<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 3<br/> |
| Title |
Lecture 9. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, I<br/> |
| -- |
Lecture 10. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, II<br/> |
| -- |
Lecture 11. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, III<br/> |
| -- |
Lecture 12. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, IV<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 4<br/> |
| Title |
Lecture 13. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, I<br/> |
| -- |
Lecture 14. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, II<br/> |
| -- |
Lecture 15. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, III<br/> |
| -- |
Lecture 16. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, IV<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 5<br/> |
| Title |
Lecture 17. The Bel Canto Style and Rossini's The Barber of Seville, I<br/> |
| -- |
Lecture 18. The Bel Canto Style and Rossini's The Barber of Seville, II<br/> |
| -- |
Lecture 19. Verdi and Otello, I<br/> |
| -- |
Lecture 20. Verdi and Otello, II<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 6<br/> |
| Title |
Lecture 21. Verdi and Otello, III<br/> |
| -- |
Lecture 22. Verdi and Otello, IV<br/> |
| -- |
Lecture 23. French Opera, I<br/> |
| -- |
Lecture 24. French Opera, II<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 7<br/> |
| Title |
Lecture 25. German Opera Comes of Age<br/> |
| -- |
Lecture 26. Richard Wagner and Tristan und Isolde, I<br/> |
| -- |
Lecture 27. Richard Wagner and Tristan und Isolde, II<br/> |
| -- |
Lecture 28. Late Romantic German Opera - Richard Strauss and Salome<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 8<br/> |
| Title |
Lecture 29. Russian Opera, I<br/> |
| -- |
Lecture 30. Russian Opera, II<br/> |
| -- |
Lecture 31. Verismo, Puccini, and Tosca, I<br/> |
| -- |
Lecture 32. Verismo, Puccini, and Tosca, II<br/> |
| 520 2# - SUMMARY, ETC. |
|---|
| Summary, etc. |
"With the knowledge of opera from this course, you will understand how music has the power to reveal truths beyond the spoken word; how opera is a unique marriage of words and music in which the whole is far greater than its parts. You will learn the reasons for opera's enduring popularity. And you will be able to explore in great depth the extraordinary and compelling world of opera.<br/>Professor Greenberg is to the lecture what Mozart was to opera. Brilliant, irreverent toward his subject and yet awed by it, he is ingenious in his approach to ensure that his work will have its intended effect on the listener.<br/>The music is transcendently beautiful. In this course, you will listen to some of the most extraordinary artistic works of all time. Customers who have taken this course report:<br/>The history of opera is traced from its beginning in the early 17th century to around 1924. The lectures examine landmark operas; musical, cultural, and social developments that influenced opera's growth; and the influence of national languages and cultures on opera." (Publisher's Website) |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
DVD CONTENTS:<br/><br/>DISC 1<br/>Lecture 1. Introduction and Words and Music, I<br/>Lecture 2. Introduction and Words and Music, II<br/>Lecture 3. A Brief History of Vocal Expression in Music, I<br/>Lecture 4. A Brief History of Vocal Expression in Music, II<br/><br/>DISC 2<br/>Lecture 5. The Invention of Opera and Monteverdi's Orfeo, I<br/>Lecture 6. The Invention of Opera and Monteverdi's Orfeo, II<br/>Lecture 7. The Invention of Opera and Monteverdi's Orfeo, III<br/>Lecture 8. The Invention of Opera and Monteverdi's Orfeo, IV<br/><br/>DISC 3<br/>Lecture 9. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, I<br/>Lecture 10. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, II<br/>Lecture 11. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, III<br/>Lecture 12. The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo, IV<br/><br/>DISC 4<br/>Lecture 13. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, I<br/>Lecture 14. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, II<br/>Lecture 15. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, III<br/>Lecture 16. The Rise of Opera Buffa and Mozart's The Marriage of Figaro, IV<br/><br/>DISC 5<br/>Lecture 17. The Bel Canto Style and Rossini's The Barber of Seville, I<br/>Lecture 18. The Bel Canto Style and Rossini's The Barber of Seville, II<br/>Lecture 19. Verdi and Otello, I<br/>Lecture 20. Verdi and Otello, II<br/><br/>DISC 6<br/>Lecture 21. Verdi and Otello, III<br/>Lecture 22. Verdi and Otello, IV<br/>Lecture 23. French Opera, I<br/>Lecture 24. French Opera, II<br/><br/>DISC 7<br/>Lecture 25. German Opera Comes of Age<br/>Lecture 26. Richard Wagner and Tristan und Isolde, I<br/>Lecture 27. Richard Wagner and Tristan und Isolde, II<br/>Lecture 28. Late Romantic German Opera - Richard Strauss and Salome<br/><br/>DISC 8<br/>Lecture 29. Russian Opera, I<br/>Lecture 30. Russian Opera, II<br/>Lecture 31. Verismo, Puccini, and Tosca, I<br/>Lecture 32. Verismo, Puccini, and Tosca, II |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
COURSE GUIDEBOOK CONTENTS:<br/><br/>INTRODUCTION<br/>Professor Biography<br/>Course Scope<br/><br/>LECTURE GUIDES<br/>Lectures 1-2: Introduction and Words and Music<br/>Lectures 3-4: A Brief History of Vocal Expression in Music<br/>Lectures 5-8: The Invention of Opera and Monteverdi's Orfeo <br/>Lectures 9-12: The Growth of Opera, the Development of Italian Opera Seria, and Mozart's Idomeneo<br/>Lectures 13-16: The Rise of Opera Buffa and Mozart's The Marriage of Figaro<br/>Lectures 17-18: The Bel Canto Style and Rossini's The Barber of Seville<br/>Lectures 19-22: Verdi and Otello<br/>Lectures 23-24: French Opera<br/>Lecture 25: German Opera Comes of Age<br/>Lecture 26-27: Richard Wagner and Tristan und Isolde<br/>Lecture 28: Late Romantic German Opera - Richard Strauss and Salome<br/>Lecture 29-30: Russian Opera<br/>Lecture 31-32: Verismo, Puccini, and Tosca<br/><br/>SUPPLEMENTAL MATERIAL<br/>Timeline<br/>Glossary<br/>Biographical Notes<br/>Bibliography |
| 538 ## - SYSTEM DETAILS NOTE |
|---|
| System details note |
DVD. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Opera |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
History |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music Analysis |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music Appreciation |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Vocal Music |
| 655 #0 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Filmed lectures. |
| 710 ## - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
The Teaching Company |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://www.thegreatcourses.com/courses/how-to-listen-to-and-understand-opera.html">https://www.thegreatcourses.com/courses/how-to-listen-to-and-understand-opera.html</a> |
| Public note |
Publisher's Website. |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://ottawa.bibliocommons.com/v2/record/S26C421293">https://ottawa.bibliocommons.com/v2/record/S26C421293</a> |
| Public note |
Check the Ottawa Public Library (OPL) catalog. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Matériaux mélangés |
